Proxy – The Tangent
The Tangent are back already with another new album and Proxy is the bands 10th studio album release and the band are now into their 15th year since they released The Music That Died Alone back in 2003. Well obviously their music has not died yet and they are still not alone even if Andy Tillison is the only consistent member in the band today who was on their debut album 15 years ago. Though Jonas Reingold was also with the band back then as where many of The Flower Kings when they merged together with Tillison to form the band and in the following year Theo Travis joined the band and a pretty much appeared on every album since 2004.
No doubt the band have gone through various line up changes since it began and have been lost in London on a couple of occasions, and even got lost in Ledston come to think of it. But despite all that, the bands music has remained pretty much consistent throughout its career with Andy Tillison being at the helm of the writing. Like many prog rock bands that came out in the 90’s and 2000’s most musicians tend to play in more than one band and some are involved in many other projects. Both The Tangent and The Flower Kings have found it very hard to keep the same bunch of guys together since they set out, but what still keeps them both running is the bands main songwriters and that pretty much keeps the both bands formidable style too.
Speaking of their styles they are also very similar in the way that they both like to incorporate and inject a bit of jazz into their music, they also like to write lengthy songs, and they both tend to cram a double albums worth of material onto one CD with every release. One could say they give you too much, and not all their albums are always easy to digest either. For example since I brought this new release I have only just got into their last album The Slow Rust Of Forgotten Machinery having decided to give it another couple of spins, and it’s been over a year since it was released.
To be honest that 2017 release is giving me more enjoyment this year than what it ever did when I purchased it last year. I always knew it had a couple of good tracks on it, but quite often with any album where only a couple of tracks really speak to me, they tend to get put aside until they find a place in the queue again. I think there is another one of their albums in that last sentence somewhere, and that is perhaps still one of my ultimate faves of the band that did not take me a year to appreciate it either. So the big question now is will Proxy be the album of this year or the next? :))))).
The Packaging & Artwork…
The CD comes in a very well constructed 3 panel DigiPak with a sturdy plastic tray to hold the disc and a side pocket to store the booklet. The 14 page booklet contains all your usual linear and production notes, pictures and includes the lyrics. It does not come with any real informative information but overall it’s a very neat packaged presentation.
The artwork cover layout was done by Andy Tillison. The cover photographs (including Pawn) was taken by Martin Reijman. Additional photos by Casey Orr. It’s perhaps the most minimalistic artwork cover on any of the Tangent’s albums, though no doubt that little chess piece could be seen as an agent and procurator and power to act for another in a menacing world of evil doers.
Proxy Released Editions…
The album was released with 4 editions for you to choose from, the cheapest being the Digital Download on MP3 which is around £7.99. Next up we have the CD which was my personal choice and is priced at around £9.99 and I saved a few pence by pre-ordering it on Amazon and paid £9.85. Though for the price of a tenner it’s excellent value considering it comes in a nicely presented DigiPak. But even for vinyl lovers you are getting a very good deal too.
The vinyl album comes with a choice of your standard black vinyl and also comes with the choice of 2 colours of orange and yellow. They all come with the CD included in the price too and the Black Vinyl is priced at around £18.99 and the Coloured Vinyl is around the £22 mark. But considering you get both the vinyl and the CD for the price that’s quite a bargain and you could say you are getting the CD for free. Especially with the price of vinyl these days.
The Proxy Album In Review…
The bands 10th studio album Proxy was released on the 16th November 2018. The album itself contains 6 tracks (CD Only) and has an overall playing time of 67 minutes, 34 seconds. Though in reality it could be said that the new album only contains 4 tracks simply because one of them had been previously released back in 2013 and the other one is an excerpt from a new album and project by Andy Tillison and could be seen as an advert or plug :))))).
The vinyl release does only contain the 4 new tracks that were written for the album and this would of been due to vinyl restrictions so they did not have to use more than 1 LP to cut down on the cost. To be perfectly honest I very much prefer the old 30 to 40 minute time slot, and with the price of vinyl these days it makes sense to go back to that time slot too. Both Andy Tillison and Roine Stolt are well known for cramming as much as they can get on a single disc as I mentioned earlier, and I will quite often call it too much food for thought rather than see it as getting any extra value for your money.
Though being as this album comes with a track I already have heard and have, and a track that is a plug for another album :))))). It could be said that the album we have here with its 4 new tracks is only 47 minutes, 16 seconds long, which is much more of a manageable and suitable length to make it much more easy to digest and get into a lot more quicker than their previous album. For me personally if you’re gonna make a double album stick it on 2 discs and not one, and even by doing that it’s more of a manageable way to listen and take in the music.
To be honest I would even prefer the bonus material to be put on another disc, and in reality the vinyl version of this new release truly represents the album and not the CD with it’s bonus tracks on it. I know Andy Tillison likes a good rant and now I am having one :)))) simply because there is no need to cram as much as you can onto one disc at all and that is not the way to make an album either.
An album should be a collection of material you have most recently written for it. It’s not for sticking material off another album on it just to plug it :)))))) and that is the type of material you would present to a magazine that comes with a CD of various artists plugging their new material or present to a radio station and not stuck on an album like this. The new material written for any album should be the focus point, and it should not have anything on it to distract that focus point either. That is how you truly make an album and treat the albums new material with respect. For me the bonus material is irrelevant and should be placed somewhere else and not here, and that is my point.
I am not saying that I dislike bonus material or even the bonus material on this album. But it just maybe why people do go running back to the 70’s or 60’s for that matter and that is my hint :))))))). Because those are the decades when people made albums, real albums, and they did not just stick anything on the buggers either :))))). I can understand when artists remaster older albums and stick bonus tracks on them, and even box sets that come with bonus tracks, but no new album in reality should have a bonus track.
Bonus tracks are quite often the tracks that the artist wrote at the time and left off the album simply because they either felt they never fitted in with other material written for the album, or they did not think were good enough for the album. Not that this is the case here I should add. But in reality this album does have 2 bonus tracks and not 1 like it’s made to believe even if “Supper’s Off” has been re-recorded and had a few of its lyrics changed here and there.
Most of the newer material was written whilst they was on their last tour and they had sort of merged themselves together with the band that was double billed with them the Karmakanic. Some of the members from that band played with The Tangent and the name the Tangekanic was made out of the two names to which they released a live entitled Hotel Cantaffordit. The live album featured live tracks from both bands, and to me it was a bit of a mixed bag and did not entice me enough to buy it. To be honest I do prefer live concerts on DVD rather than just having them in audio only these days.
Musicians & Credits…
Produced written and mixed by Andy Tillison at MBL Otley Yorkshire. Recorded in England, Austria and Sweden between Autumn 2017 – Spring 2018. Main Session at Woolpack Music Studios Otley Yorkshire England. Cover Layout by Andy Tillison. Cover Photographs by Martin Reijman. Additional photos by Casey Orr.
Andy Tillison: Vocals/Hammond Organ/Pianos/Synthesisers/Electronic Drums & Bass Synth (Track 4).
Luke Machin: Electric & Acoustic Guitars.
Jonas Reingold: Bass Guitar/Taurus Pedals.
Theo Travis: Tenor & Soprano Saxophones/Flute & Alto Flute.
Steve Roberts: Drums/Percussion/Assorted Gongs.
Special Guest Goran Edman backing vocals.
The Album Tracks In Review…
The latest album Proxy is not a concept album and is merely how Tillison describes it himself as being “a protest song, a reflection, a couple of regrets and a rant”. Nothing new there then :)))))) and no doubt Tillison has always been quite cynical and likes to have a good rant and he’s always had things to protest against too. Though people have been writing protest songs well before he and I were born, and they will never change the world I am afraid. Writing protest songs is like flogging a dead horse, and when it comes to politics, you may as well bang your head against a brick wall.
No doubt there is a lot of truth in his lyrics, but I can also see a humorous side to some his lyrics too, and some of the things he does come out with do make me laugh at times, even if I shouldn’t. But I am sure that’s how he also intended them to be as well. To be honest the world I drive through so to speak is the funny side of it, and I will always look for the funny side of anything rather than focus my attention on all the doom and gloom in the world. I am not into politics and do not see any point spending my time talking or moaning about it.
Life is short enough without wasting my time on all that shit. So I tend to stay clear of the news most of the time and am much more happier and enjoy life more for doing so. I am not completely blind to all the crap that goes on in this evil world. But if you cannot have a good laugh, you might as well be dead is how I see it.
Speaking of having a good laugh, this is what I do get out of the rant song on this album entitled “Supper’s Off” and I shall be treating it as a bonus track in my review here and talk about the both bonus tracks you get here first. The song was originally released on a companion album back in 2013 and effectively L’etagere Du Travail is an album that consists of out-takes and alternate mixes and was the companion to the other 2013 album Le Sacre Du Travail. This companion album is basically what’s known as the shelf off work that never made it on Le Sacre Du Travail.
It was also released through the Tangents Merch Desk from their official website and perhaps more of a fan base release than an official release like the the other album that was released on Inside Out Records and had a record label. Though to be honest in the past I have seen the album sold on Amazon, though nothing surprises me as to what turns up on that site :)))))). The album was released on CD and download only and has never seen a vinyl release.
But I suppose you could say by sticking it on this album it could be seen as having more of an official release. But it’s still not been put on vinyl like the new tracks written for Proxy have, and as this is a reworked older song it can only be really seen as a bonus track. Hence my reason for treating it as such.
The Bonus Tracks.
The version of “Supper’s Off” we have here is over a minute longer and has either been replayed completely by the line up of the band on this album or they have reworked part of the original songs structure in the music and lyric department. The song itself no doubt is a rant and one that pertains to how today’s prog rock bands do not really get a look in, especially in relation to the more successful prog rock bands from 70’s had and were doing so well, and how still today people tend to go back to that decade for their music rather than go along with the new sort of thing.
To be honest you could say that even I myself still live in that golden decade, and many of those bands from the 70’s made music to last a lifetime. I would even say the biggest majority of music I buy these days are new mixes of the albums I already brought back in that decade too. But I still buy some of the newer prog rock bands too, and being a person who likes to review the music I buy and post it in a few prog rock groups on Facebook. You would also have to be blind not to notice all the posts of the artists and albums that came out of the 70’s in those groups, and they are literally plastered with the same thing every day of the week.
Much of today’s prog rock or neo prog rock whatever you want to call it is done mostly by artists who loved that golden decades music too, and some are even trying to emulate the music that came out of the 70’s with their own music too. Personally I do not see this as a bad thing and for me these new bands are very much keeping prog alive today, even if it’s not really dead judging by the zillion posts you see in these prog groups on Facebook :))))). I think even with written reviews of their own music they even like to be compared to those GREAT! bands from the 70’s but it’s always a good thing to create your own style and many bands do just that too.
Getting back to the song “Supper’s Off” there is no doubt that The Tangent have their own particular style and when it comes to lyrics Andy Tillison can also incorporate a bit of that anger that was injected and fuelled by many punk rock bands with their protests and rants. He even played a bit of punk rock himself in the past and a lot of those type of lyrics have very much been part of him throughout his career. I myself detest punk rock but I cannot deny that some of those bands wrote some really great lyrics to their songs. But effectively what Tillison has done by changing the lyrics in the chorus in particular for this newer version of the song. Could be seen as it stepping away from its original title to which he has still kept.
But to be honest i have always loved this song and even with the change of lyrics we have here, I can still laugh my bollox off at it :)))))). No doubt the songs title is pertaining to the band Genesis and their song “Suppers Ready” and the original version of “Supper’s Off” (which I would not say was a demo either) used the word “Genesis” instead of “Seventies” in the chorus so it’s now as thus:
We tried to change the world
But the world won’t take the hint
They go running back off to the seventies
And all the other bands are skint
It’s really GREAT! song and good to have another version of it even if there is not a real lot of difference between the two versions. It could also be one of tracks on the album that merited the top spot award of the album, if I was to include it with the albums new material here, which is another good reason to treat it as a bonus track.
The 2nd bonus track on the album is an excerpt from the 3rd track entitled “Jomakh” from Andy Tillison’s new project he calls Kalman Filter. The album was released earlier on this year back in June and is titled Exo-Oceans. The album itself contains 3 tracks spread over a playing time of 74 minutes, 57 seconds and this excerpt is 10 minutes, 25 seconds of the longest track on the album which is some 42 minutes, 17 seconds long. It also features his long time friend Matt Stevens playing guitar on the 1st track of the album.
To be honest over the years The Tangent have been going. Tillison will often stick the odd bonus track from his solo albums on The Tangent albums and its nothing new for him to do at all. After all he is the main man behind the music of the band so he’s bound to plug something from his solo material and other projects he’s involved in every now and then.
But this is perhaps something a bit different from his usual keyboard work to which is something a bit more familiar with electronic bands such as Tangerine Dream for example. What we have here is sort of electronic Jazz and is quite laid back ambient chillout Jazz and to be honest it’s pretty catchy too. That catchy that I actually gave this 42 minutes, 17 second track a blast on Bandcamp to which you can listen to the whole album here on this link. https://kalmanfilter.bandcamp.com/album/exo-oceans
To be perfectly honest I am glad I did give it a blast too simply because the 10 minute, 25 second excerpt you do get here is very good and even after some 22 mins of the 42 minutes, 17 seconds you do get here it still sounds good and was actually enticing me to buy it. Then all of sudden the Jazz went out of the window and we got something that was perhaps more associated with meditative music in that there was practically nothing there at all but some noise, and every now and then you got something that was perhaps more familiar with being in space with the keyboard sounds.
Honestly I would of got more satisfaction watching paint dry than the last 20 odd minutes of the track, it totally bored my pants off and was a complete waste of space. Then right at the very end you got Tillison telling Alexa to play “Slow Rust” by The Tangent :))))). I think meditative was the wrong term for it and I perhaps needed a sedative to calm me down from saying WTF’s this shit all the time LOL… He just totally ruined the whole thing for me I am afraid.
Now that I have got the bonus tracks out of the way let’s take a look at the 4 new tracks that were written for the Proxy.
The Proxy Tracks In Review.
Track 1. Proxy.
The album opens up with its self titled album track and this is really a GREAT! 16 minute track that many reviewers have already pointed out sounds pretty much like what you would expect from The Tangent’s music and to an extent I would also agree. But I would also say that there is not only The Tangent’s style here at all regarding the musical style of things in the musical intro, and there is some things here that very much remind of what The Flower Kings did on their first couple of albums Back In The World Of Adventures and Retropolis. Both of these albums are different in style to what The Flower Kings were doing when the both bands merged together to make up The Tangent when they first started, and those first couple of albums from the mid 90’s are also my personal favourite albums by The Flower Kings too.
The intro is certainly more around the lines of Jazz Funk with some superb bass work from Jonas Reingold. No doubt both The Flower Kings and The Tangent do tend to focus more on the jazz side of things with their music, its perhaps only down to the fact that they stretch it out more to allow for more transitional changes is where prog rock comes into its element more than anything else. Which can be a good thing about the both bands when it works well over a distance like this, and on this track it works very well with all it’s changes and keeps the interest and attention.
No doubt the lyrical side of things and Andy Tillison’s cynical approach to delivering them is very much the same, and to be honest with all the words he throws into his songs I have no idea how he can remember them all when it comes to perform them live on stage. To be honest it’s very rare Tillison’s lyrics will really grab me and perhaps the only time they do grab my attention is when they make me laugh most of the time. “Lost In London” is a prime example of those side of things. Most of the time listening to his lyrics is a bit like going down my local pub and listening to some fool babble on about politics all day long, and the subject of politics has never really grabbed my attention simply because it never changes and it’s the same old shit.
I suppose I could compare these type of lyrics to most pop songs that have nothing more than “I Love You” and “Baby Baby” in them, simply because they babble on about the same old shit too :))))) and these type of songs are not genuine songwriter lyrics that have a lot more scope and thought put into them. But I have always put the music first with any song in reality and if the music speaks to me then that’s fine with me. What I like about prog rock more than anything is how the music will take you somewhere else, and its not all verse and chorus all the time. And in the case of this song it is the music that will say something different with all it’s changes, unlike the lyrics which are basically saying the same old thing. I am not saying his lyrics are not good by any means, but sometimes it would be a good idea to change the subject sort of thing.
Like most of The Tangent’s songs they are driven by Tillison’s keyboards, and the “Proxy” features mostly the keyboards, bass and drums and is not a song that offers a lot of space for a guitarist like Luke Machin to really shine. I would also say it gives more space Theo Travis on the sax in reality. But the song flows and works well enough with all the progression you get, and it really is an excellent track and for those who want to start a war without anyone knowing who you are. You can now do it all by Proxy :))))) and this is one of my contenders for the top spot on the album.
Track 2. The Melting Andalusian Skies.
The instrumental track of the album and this is a piece that runs along in a menacing and meandering way with its jazzy flamenco style. There are some nice twists and turns along the way and Luke Machin does get to feature more on this one and does a Grand! job too along with the rest of the guys. Besides all the meandering it also has a nice comfortable relaxed style about it too and this may have been inspired from a Spanish holiday and Tillison describes it as a sun-drenched Mediterranean fusion instrumental, more Chick Corea than Che Guevara. It’s another really GREAT! piece of work and a very strong contender for the top spot on the album.
Track 3. A Case Of Misplaced Optimism.
The shortest track on the album and one that the band described as an attempt to find the missing link between Porcupine Tree and Jamiroquai. Personally I do not get anything from those couple of artists that even remotely reminds me of them. Though I have to confess I have heard little from them both. But what we do have here is perhaps more of a real jazzy song and it’s quite a funky one at that.
To be honest everything about this track says more to me about Weather Report and Jeff Beck, that it will ever say to me about Porcupine Tree and Jamiroquai. Lyric wise it is something different for a change and the lyrics are perhaps something more along the style of lyrics that Sting would write.
It’s certainly got a 70’s sound and style about it all, and I could even associate many other artists with it too such as Stevie Wonder for example. It’s certainly got a dance groove to it as well and with that beep you hear every now and then that gives it that space feel, I could even perhaps associate it with the 70’s funk disco band Space with it as well.
In retrospect I could quite easily call this a class act and it’s been very well produced. That well that I doubt if it could be performed this tight live and sound as good as this. I am not disputing the talent of the musicians in the band, but this song I would say is the nearest The Tangent have ever been to real jazz and I love it. Enough to even merit it as the best track on the album, though to be honest all 4 of the new tracks could equally merit the top spot on the album.
Track 4. The Adulthood Lie.
This is perhaps the most talked about track on the album that I noticed way before the albums release. To be honest the way it was being hyped up as some massive dance track, I was half expecting something completely different and more along the lines of modern dance music, to which would most certainly would not of been to my taste or my cup of tea so to speak. It does have some modern touches to it, but it is not something that is that different regarding The Tangent’s style and output of music.
Lyrically we have the same sort of holiday thing like the previous track, only here they are pertaining to the music scene in Ibiza. Such as DJ discos, the nightclub party life and rekindling ones youth back to the times even to the extent of going back to vinyl records. I have to confess that in my youth I hated Discos and I have been to Ibiza once and would never go back there again either :)))))). As for vinyl records, I would not go back to those things either, and certainly do not think the price of vinyl these days should cost any more than the CD. So lyrically this song is never gonna say a thing to me in a million years :))))).
Having said all that though, this is quite a catchy song and it does have something quite mysterious about it, and for the life of me I cannot put my finger on it either. To give you an example of the mystery behind it, when I first heard this track on the album I honestly thought this was another song that The Tangent had already done a good few years ago and was not a new song. I should mention that before the album was released, I did get to hear the single version of it about a month beforehand, but I only listened to it once. I have even been going through all my Tangent albums to see if I could find it, but cannot.
So listening to it once a month beforehand somehow must of planted the idea in my brain that this was not a new song at all when I finally got the album. To be honest I am still confused and am sure this is not new :))))))). If it is new then it must of had a very catchy effect on me without me even noticing it. So there might be something a bit special about this song. But is it the best track on the album out of all the 4 new songs here?. My answer would be NO!. But then again out of all the 4 new tracks you get here on the album Proxy. I could not really pick a favourite even though I have, and no doubt this is another contender for the top spot on the album.
To sum up The Tangent’s latest album Proxy. I would say the 4 tracks that have been placed on the vinyl version represent the album and not the other 2 bonus tracks you get the on the CD even though they are both very good bonus tracks. No doubt if like myself you enjoy The Tangent’s music you will not be disappointed with this new release and all 4 of the new songs have been very well crafted and are up there with some of the bands best material.
The good thing about it is that The Tangent’s music has never really changed and that’s what I like about it, and even though “The Adulthood Lie” may have been hyped up prior to it’s release, its nothing that new at all to my ears and thankfully it was not some mad rave or trance sort of thing thing either :)))))).
I like the placement of the tracks on the album and the fact that the couple of 16 minute lengthy tracks have been spaced out more, it makes it much more of an enjoyable album and a lot easier to take in and digest. Getting back to the question I posed in my introduction of will Proxy be the album of this year or the next? I would say unlike their previous studio album The Slow Rust Of Forgotten Machinery this one grabbed me more and was way more easier to take in and digest.
I think the overall length of the 4 new tracks being just over 47 minutes is a way better suited time slot for any album even for a CD. Though even that time slot is not really suitable to squeeze on 1 LP due to vinyl restrictions and it will suffer slightly a bit for it. Many did it years ago too and that’s why I prefer the CD and will not go back to vinyl myself. Not only that I cannot be arsed to get up to turn the album over all the time :)))))).
To conclude my review of Proxy by The Tangent I honestly cannot fault a single track on the album, not even the bonus tracks on the CD either. I think for fans of the band this album has to be a must and no doubt the material is very good and right up there with their very best albums to be honest. The Tangent’s music will not suit everyone’s taste and to be honest I was quite shocked by the effect both this new album and The Flower Kings latest album had on an American reviewer from the Progarchy website.
He had been quite a fan of both bands for a good while, but having received both albums to review before they was released, it made him quit the Progarchy after some 6 or 7 years of doing album reviews and turn his back on both bands in disgust all over their political viewpoint with their lyrics. I am pretty sure it was the track “America” on the latest album of The Flower Kings that got his goat up, and to be honest I could not see WTF was wrong with it :))))).
Just as well I do not pay that much attention to politics and peoples viewpoint about it, and like I said in my review Andy Tillison’s lyrics have never really grabbed me only when they make me laugh, and for me the music is really the thing that has always grabbed my attention and not so much the lyrics. I certainly would not let any political shit stand in the way of the music I love so much either or even go out and buy an album just to burn it all over religion like some idiots did back in the 60’s LOL…
Overall the Proxy is a truly GREAT! album that has some really nice touches of jazz, funk and even dance groove along its path, and it flows very well throughout its entirety even with the bonus tracks. It very much has everything you would expect from The Tangent and very much keeps the world of prog rock still ticking over in the 21st century.
Let’s Do It All By Proxy, So We Never Have To Take The Hit…
The CD track listing is as follows:
01. Proxy. 16:07.
02. The Melting Andalusian Skies. 8:51.
03. A Case Of Misplaced Optimism. 6:13.
04. The Adulthood Lie. 16:05.
05. Supper’s Off. 9:53.
06. Excerpt From Jomakh (Bonus Track). 10:25.